Disclosure: I did not receive any compensation for this review. I could use some to pay for therapy. Cover art is copyright of Marvel.
This was my first Deadpool comic. I am scarred for life.
Not because of the violence, or the language, or the crazy. No. It is because the comic book people played with my mind. They made me question my own sanity. I did not like it. They are the Weapon X of my life and this is my origin story.
The comic starts off savvy. There is intrigue and Deadpoolian humour. Wade is recounting his deadly shenanigans to some official stiffs. There are many scene cuts/flashbacks. New readers who know &^%# all about Deadpool get some insight into his origin story.
Deadpool is a special soul. He is a loony, a maniac. He is also aware that he is a comic book character and breaks the fourth wall. It is marvelous. These traits are all executed in ‘Wade Wilson’s War’ – but then things get whack, and I don’t mean Deadpool-fun-times [lewd pun redacted].
The narrative is psychotically skewed. This is expected from the mind of Deadpool, but this comic tries to imply that all of Deadpool’s antics do just that – happen inside his mind. He is still crazy, but the reader is lead to question whether he is enlightened or just delusional, and the comic is full of conflicting information. Deadpool says this, security footage shows that. What is real? Who is alive? Who is dead? Is Wade Wilson just a crazy man who thinks he has superpowers?
‘Wade Wilson’s War’ takes the unreliable narrator trope and [innuendo metaphor redacted]. If that sounds good to you, read it – but be warned. You may exit this journey with conflicting emotions and more questions that you can contain.
Am I real or a fiction? Am I free or a puppet? Am I sane or a prisoner of my own imagination?
I no longer know.
Disclosure: I did not receive any compensation for this review. Throw a dime my way. Not really, I don’t live in America anymore. Deadpool 2 is copyright 20th Century Fox. Images used for reference and commentary.
The sequel to a successful movie that no one thought would ever actually exist, Deadpool 2 delivers the same signature humour that carried the first one. Like the first one, it relies heavily on Deadpool’s flavour and flare – but now there is an antagonist that is worth his time. Sorry, Francis, ya’ basic!
Cable (real name Nathan, no wonder he goes by Cable) is a bad-ass cyborg mutant from the future, intent on killing a mutant kid for whatever reason. You’ll have to watch the movie yourself to find out why. Russell, the said child-person, is played by Julian Dennison of Hunt for the Wilderpeople notoriety. Let’s take a moment to thank Marvel for including a New Zealand mutant that wasn’t Kiwi Black. Whoever created and named that guy needs a kick right up Main Street.
I was not impressed by how they handled Vanessa’s character. I did not expect her to be out there kicking ass with the rest of them, but she was squeezed squarely in the love interest trope box and it was gross, boring and predictable.
Deadpool 2’s other main fail was that, for a movie dealing with time-travel, it messed up its time-line. There is a cameo by characters from the 80s in a movie that is clearly set – judging by technology and pop culture references – now. Someone thought they were being clever but was in fact being super stupid.
Highlights of the film were, of course, Deadpool – but also Cable and Domino. They were good counters to Deadpool’s extravagance, but in distinctive and different ways. I am looking forward to seeing more of them in the X-Force movie. When does that come out? Now? Now please.
Is Deadpool 2 just a jerk-fest for fans of the Merc with a Mouth? Yes – but that doesn’t mean it isn’t an enjoyable one.